A transcription of Richie Cannata’s tenor solo on Billy Joel’s New State Of Mind A student needed to play the solo and I tried to find a transcription. Since I couldn’t find a transcription online and had a little downtime I quickly made one myself. It’s a rather slow tune, which makes the rhythmical notation somewhat cryptic, and in a few spots I’m not entirely sure if everything is correct.
It’s that time of the year when I am trying a couple of mouthpieces for the alto again. I grew a bit tired off my Meyer #8 which I have used now for about 3 years and it was time for a change. The mouthpiece simply doesn’t have the qualities that I was looking for and now I was starting to look for something new and, most importantly, different. A couple of emails and a few days later I received a bunch of new mouthpieces and was ready to give them a try.
“Learn to BeBop on changes like Hank Mobley first. It tells you when to stop.” Those were roughly the words one of my all-time heroes Rick Margitza said to me when I had the chance to have a lesson with him in New York. And even though more than twenty years ago, it hasn’t told me when to stop. Up to this day I enjoy working on lines. Hank is without any doubt one of the most precise players that I have heard.
Some of my favourite etudes that I ran into over the years are the Kröpsch Clarinet etudes, especially the first volume. The exercises are short, almost easy to remember and overall effective, challenging and fun to play. I always wished there would be something like that for Jazz saxophone studies. Last year Eric Alexander published a book with similar exercises which are fun to play and easily to be used in improvisations.